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Sound and Recording: Applications and Theory, by Francis Rumsey, Tim McCormick
Free PDF Sound and Recording: Applications and Theory, by Francis Rumsey, Tim McCormick
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Providing vital reading for audio students and trainee engineers, this guide is ideal for anyone who wants a solid grounding in both theory and industry practices in audio, sound and recording. There are many books on the market covering "how to work it" when it comes to audio equipment―but Sound and Recording isn’t one of them. Instead, you’ll gain an understanding of "how it works" with this approachable guide to audio systems.
New to this edition:
- Digital audio section revised substantially to include the latest developments in audio networking (e.g. RAVENNA, AES X-192, AVB), high-resolution surround and parametric audio coding, workstation processing technology, mastering for iTunes, and loudness normalization
- Coverage of immersive audio systems such as Dolby Atmos, Auro 3D and WFS along with recent developments in audio object coding
- Sections on digital radio microphones, loudspeaker sensitivity issues and development, and highly directional loudspeaker systems
- Substantial new sections on recent developments in audio network device discovery and control and the Open Control Architecture
- Sales Rank: #207864 in Books
- Published on: 2014-03-07
- Released on: 2014-02-18
- Original language: English
- Number of items: 1
- Dimensions: 9.75" h x 1.55" w x 7.50" l, 3.35 pounds
- Binding: Paperback
- 686 pages
Review
"When a technical book is republished in a second or third edition, you know it's become recognised as a reference work, but when it reaches a seventh edition, I think it's legitimate to suggest that it has become something of a 'bible'! ...If you want just one reference book on audio, this one is hard to beat."
-Hugh Robjohn, Sound On Sound Magazine
"Sound and Recording: Applications and Theory, 7th Edition, is a comprehensive authoritative work, and it belongs on the reference shelf of every conscientious audio professional. I highly recommend it."
- Alan Hardiman, Professional Sound
About the Author
Francis Rumsey is Consultant Editor and Technical Writer for the Journal of the Audio Engineering Society, and runs his own consultancy company, Logophon Ltd. Until 2009 he was a Professor at the University of Surrey (UK), specialising in audio engineering and psychoacoustics. He is chair of the AES Technical Council, a Fellow of the AES, and a busy organist.
Tim McCormick is a former Deputy Head of sound at the Royal Exchange Theatre in Manchester (UK), has extensive experience in design and manufacture of audio electronics, and has worked at Klark Teknik and with the RSC at Stratford (UK) where he plotted and operated the sound for many shows as well as designing and building audio equipment when the need arose. Also interested in medieval architecture, The Cathedrals, Abbeys and Priories of Wales was published on 2010.
Most helpful customer reviews
2 of 3 people found the following review helpful.
The 2014 edition is an excellent reference for reading up on the art and science ...
By Siegfried Linkwitz
The 2014 edition is an excellent reference for reading up on the art and science of recording as it is practiced today with analog and digital tools. It is well organized, clearly written and illustrated with easy to understand graphics.
0 of 1 people found the following review helpful.
Great sound and recording reference
By Y. Kim
I am doing the home recording for my hobby. I use DAW (Digital Audio Workstatin) and sequecing software to record songs from computer-connectable instruments, so called MIDI devices including synthesizers, keyboards, etc. I did not major the music and never was a musician myself. However, I have always been intrigued by the sound and music. So, I had a natural desire to learn more about sound and recording in depth and met this book.
As the title 'Sound and Recording: Application and Theory" says, this book covers a broad area of anything related to sound and recording. In fact, this book is thick, having 655 pages. It started from the basic knowledge about sound and moved the topics to the equipments like microphones, loud speakers, mixers, and to the recording technologies. I think this book is not intended for the total beginners who have never been introduced of sound and recording, rather for someone like me who has little knowledge or exeperience in regard to the recording. Some of the diagrams, graphs or equipments can overwhelm the beginner in this area. This was not the case for me and this might relate to my background as an engineer.
Some of the topics like digital audio and surround sound were very helpful for me and I learned how the noise reduction system works from this book. The sentences were easy to read and I felt like the book was more like a reference than a read-through-all type of a book. I placed the book next to my recording devices so that I can refer at any time. And I was happy that the book gave many answers to my questions that I have had in my mind while I have been doing my recordings.
Overall, this is a great book in sound and recording. You will learn a lot of theories, applications and techniques behind the tools and equipments that are using now. And the 7th edition is telling you that many upgrades have been made to this book. I am really glad to have this book.
0 of 1 people found the following review helpful.
Excellent Reference For The Professional Or Student
By A. Looby
Sound and Recording: Applications and Theory is exactly what it sounds like it is – a textbook for live sound and recording engineers. Given that caveat, this is an excellent text for students and an essential reference for professionals. Authors Francis Rumsey and Tim McCormick have impeccable professional and teaching credentials and bring to bear their combined experience and expertise to give readers an in-depth writing on the subject.
As a reference text, the writing is somewhat dry and will often go beyond the depth of the layperson. However, there is enough explanation that most readers with any background in recording or live sound reinforcement will find the point quickly. The diagrams included are appropriate and clear and provide adequate demonstration of the concepts being discussed.
As this is the seventh edition of this reference, there are several new additions from the previous edition. Updates include new information on emerging industry-standard networking, workstations, software and mastering techniques (including an excellent addition regarding mastering for the ubiquitous iTunes formats). Additional information on emerging systems from Dolby and other recognized leaders will prove invaluable for the professional. Basic information is also provided on new audio reinforcement technologies that are quickly being adapted by high-end venues and outlets.
As the synopsis on the dust jacket alludes, there are numerous books that describe “how to work” audio equipment. This book takes the educational tactic of “how it works,” assuming that the reader has had some experience and background with which to approach this subject. Though not written for amateurs, professionals and students will find an excellent addition to their reference library in this edition of Sound and Recording.
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